"“RedMasque” represents the creation of emerging choreographer Alicia E. Díaz de León... The piece distinguishes itself with the appearance of four male dancers... In addition, the men’s technique and partnering skills were impeccable, as in sequential duets and supported pirouettes en pointe for the lead female dancer... Diaz de Leon thus (sic) reveals a playfulness and overall theatricality but respect for “pure” classical ballet moves."
-Luella Christopher, excerpt from "DANCE ICONS CONCERT at Dance Loft on 14", Dancing in the District (May 14, 2019)
-Luella Christopher, excerpt from "DANCE ICONS CONCERT at Dance Loft on 14", Dancing in the District (May 14, 2019)
"A waltz ballet with sinister sections and phases of gloom... Only in this one work out of the seven was there a dancer using pointe shoes. A cast of four men and four women plus a little girl enacted and danced Poe’s scary vision...Would tightening “Red Masque” intensify its horror?"
-George Jackson, excerpt from "Seven Hypotheses", Danceviewtimes, May 2019
-George Jackson, excerpt from "Seven Hypotheses", Danceviewtimes, May 2019